Christina Hendricks

Mid-Week Mad Men: Last Links

I guess I just wasn’t ready to say goodbye.  We may be over a week away from the finale, but I’m still seeing links pop up on my twitter.  It is, after all, the end of an era!  So, as my last official Mad Men post, I wanted to share with you some of my favorite links.

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[1] Image above via The Hollywood Reporter… technically a pre-finale publication, but totally worth reading after all is said and done.

[2] From Boston.com, we hear from our favorite minor character: Meredith! I was so surprised at how much I loved her and I’ll really miss her! This article brings a little more closure for me.

[3] Here’s a reading list for those of us who miss Mad Men! This is especially useful for summer.

[4] Syracuse provides us with this excellent infographic taking us season through season.

[5] This one was out before the finale too, but it’s important! It’s all about the most memorable fashion from the series. Read: Joan’s fabulous red dress that makes her look like a present.

[6] If you do have any lingering questions about the finale, perhaps Matthew Weiner himself can clear some things up.

[7] And finally, BBC has a few thoughts on the finale for you as well!

I’m clearly not over Mad Men’s finale.  If you have any lingering thoughts, share them now!

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Mid-Week Mad Men: Person to Person

I watched the Mad Men series finale as it aired on Sunday night, and I’ve been thinking about this post since then. I just have so much to say. I’ve read so many other recaps and thought pieces on this episode because I’m just not ready for this all to be done. Once we got to the moments leading up to the end, I was really nervous about Don’s storyline and even at the reveal, I had a moment of panic at the ambiguity. Then, relief. I’m choosing to believe what the ending has implied, and all and all, I’m really happy with this one. Let’s jump into it.

First, Joan! You’ll know Joan is my favorite character is you’ve read any of my posts. A friend convinced me that Joan’s storyline was done and her sad exit from McCann was the last we’d see of her. I knew that couldn’t be true. We got a lot of Joan this time around and finally got the answer to this crappy relationship situation!

We open on Joan with Richard, happily vacationing. Things seem to be going really well for the two of them– they talk of possibly getting married, buying homes. All along, things have been portrayed as going well but I can’t figure out why Joan likes him. I can’t figure out why she had that panic moment and said she’d give up her son for him. We know she didn’t mean it, but what is so great about this guy? Anyway, when they return Joan meets with Ken Cosgrove, who has a business proposition for her. This spurs her meeting with Peggy, making some money, and then the idea to start her own production company. She meets with Peggy to discuss a partnership, as two names sound more legit (Harris-Olson). Peggy is flattered, but has other plans… more on that later. Richard, it seems, hasn’t changed his stripes in wanting Joan all to himself. He walks out on her when she chooses to start her business. I literally flip him off as he walks off screen– good riddance! We knew he was no good, guys! In Joan’s last moment, we see her manning Harris-Holloway (she already has two last names!) from her home. Joan’s got it made, guys. What a freaking boss.

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Let’s touch on Roger while we’re here. I wasn’t sure if he was going to get a wrap-up. He’s convinced himself he’s in the last chapter of his life and he’s chosen to marry Marie. The last we see him, he’s ordering champagne “for him mother” in French. Never change, Roger. We get the closure with him and Joan that I desperately wanting– his estate is to be split between his grandchild and Kevin.

Okay, now Peggy. Peggy’s decided to stay with McCann after a night of heavy drinking and considering Joan’s offer. She gets a little belligerent with Stan, and calls him apologetically the next day. This moment was pure magic. Stan’s feelings start pouring out, met with Peggy’s shock and constant “What?! What did you say?” Elisabeth Moss, you are wonderful. Stan tells Peggy he loves her and Peggy puzzles out that she loves him too, but the line is silent. Stan appears at her door and they kiss. Peggy finally finds love!

Pete’s an easy one. We don’t see much of him, save for saying goodbye to Peggy. His final moment is pretty glorious as he, a fabulous Trudy, and adorable Tammi step out of a car and into a jet. I’m assuming Trudy will have no regrets moving forward.

Betty’s the saddest story, and it’s woven into Sally’s and Don’s. Sally and Don speak via phone again, and Sally tells him about Betty’s terminal cancer. Don calls Betty– both are tearful, obstinate. Don wants to come home. Betty says no. I can’t understand why Don doesn’t go home. Sally does, though, finding Bobby and burnt grilled cheeses in the kitchen. Bobby, who we’ve not heard from in years, isn’t a baby anymore either. He knows what’s going on. Sally steps into a mothering role for her two little brothers; they need her now. The last we see of Betty and Sally is Sally washing the dishes and Betty smoking a cigarette at the kitchen table.

The news of Betty has affected Don. He doesn’t go home, but to California where he visits Stephanie. Stephanie seems like a random person for him to spend the last episode with, but I see it as him desperately trying to cling to someone, to connect with someone. Stephanie ends up taking him and leaving him at a yoga/spiritual healing retreat… thing. She takes his car. Don is stuck. Don is alone. He places a call to Peggy. She has relieved to hear from him, but worried. He laments that his life is a lie, he’s never made anything of himself and he’s ruined everything. Peggy tells him to come home. “Don’t you want to work on Coke?” she says.

Apparently Don can’t find a way to leave this retreat early. He ends up in another seminar, where he hugs a stranger with a heart-breaking feeling of loneliness. We see Don last in lotus position, chanting ohm. I’m about to lose it, as I can’t see Don finding enlightenment here or with yoga. The scene shifts, and we see it’s not enlightenment that Don has found– it’s inspiration!

Don't think I didn't notice this detail right away!

Don’t think I didn’t notice this detail right away!

So Don does work on Coca Cola. This whole weird trip has led him here, to this idea for a sensational ad.

And that’s how I chose to remember it. You know, there are two ways to end a show: either the set of circumstances you’ve watched for x-amount of years will never occur again, or everything goes on as it always has. For Don, it seems that things go on. Yes, things changed and people do new things. Sterling Cooper is no more. Don, though, finally achieves the advertising fame he was looking for. Twitter thinks Peggy wrote this jingle, and maybe she did. Maybe this is Don & Peggy’s work together. Now that’s an ending.

It wasn’t perfect, but I’m happy.  What did you think?!

Mid-Week Mad Men: Lost Horizon

I watched the latest episode of Mad Men, “Lost Horizon,” on Monday night. This is the antepenultimate episode of the series– the third to last; the one before the one before the last one. Though I’ve been aware that there were a mere seven episodes in the half season, I haven’t felt the finality coming on until this episode. SC&P has closed up shop.

I was discussing this episode with a friend last night– a friend who is aware of, but can’t quite comprehend my undying love for Joan. Joan, for me, had the most compelling and most final storyline of the episode, so that’s where I’ll be focusing this post. We’ll of course talk about how fabulous Peggy was, and even add a dash of Don, but mostly we’re going to talk about Joan. Buckle up.

Why do I love Joan so much? Joan was empowered before anyone knew what empowered was. We open on her as the queen bee of the secretaries. Is she kind of a bitch? Yes. She calls Peggy out for the way she dresses and if I can be perfectly honest, Peggy’s bangs and ponytail were killing me that first season! It took me a long time to take Peggy seriously, too. Anyway, Joan played within the parameters to rise to power. She used what she had, and yes, that was the way she looked. What she did, though, was real, and when it came to forming a new agency, Joan was recognized as an integral part of the operation.

Let’s talk about her decision to get her hands on that role as partner. I remember watching this and wanting her to make that awful decision. Is that any way to conduct business? No, it’s disgusting. But this was her big opportunity and I wanted to see her as partner. I wanted her to prosper. And for a while, she did.

Joan made sense as a partner. Joan flourished as an account manager. But at McCann Erickson, chronic sexism finally got the better of Joan. She’s not the same woman we met at the start of the series. She takes herself seriously now and it’s not too much to ask to have others do the same. Brass Dennis, creepy Ferg, and infuriating Jim Hobart cannot offer her any respect. Dennis is outright not willing to work under a woman. Ferg just wants to sleep with her. Jim Hobart just doesn’t want her. She doesn’t hold the status she did before, and though he owes her half a million dollars, her offers her 50 cents on the dollar to get out of his face.

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The real heart-breaker comes when Roger is waiting in her office. Roger (who I loved her with but has ended up being the biggest disappointment to both Joan and me) tells her to take the deal. Contrary to what Roger says, it’s not about the money. It’s about respect, which Joan never got. Joan lost. If this is the last I see of her in Mad Men, I don’t know how I’ll recover.

IMG_7447Peggy faces sexism too. It’s clear from the circumstances that Peggy will not hold the status at McCann that she did at SC&P. It takes them days to get her an office and they send her flowers thinking she’s a secretary. She hangs out at SC&P waiting for them to get things in order where she encounters a mourning Roger.  (I’m not scary; organ music is.)

He makes her drink with him, and things basically get hilarious.

Peggy steps into her first day at McCann in style.

Don was welcomed into McCann Erickson, but finds himself uncomfortable in a Miller Beer meeting with a table full of creative directors. As he listens to a familiar sounding pitch, he simply walks out. He hallucinates the ghost of Cooper on a long drive to Racine, Wisconsin in search of Diana. We end on him picking up a hitchhiker and heading to Minnesota– the opposite way from home. I don’t think Don’s coming back.

Before we go, I just want to say that I’m still really enjoying Meredith! It’s been nice to see her get a little character development.

Okay guys, I’ve said a lot. Let me know what you guys thought of “Lost Horizon” in the comments!!

Mid-Week Mad Men: Time & Life

It’s not quite mid-week, but my Mad Men post is coming at you a bit early!  This week’s episode, “Time & Life,” was honestly such a pleasure to watch.

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The main storyline of the episode was the sudden (but almost obviously eventual) announcement than McCann Erickson would be fully absorbing, aka swallowing, Sterling Cooper.  There’s a fantastic classic rallying of the partners– Roger, Don, Joan, Pete, and Ted– with a grand plan to move to SC&P West to keep their independence alive.  McCann, though, is not having any of it.  They see this as SC&P passing the test; “they’ve died and gone to advertising heaven.”  Account names are dropped to entice each partner (Ted already wanted to go) with the exception of… Joan.

Joan has been a presence since this show began, but she’s risen from secretary to partner and account manager.  McCann’s already treated her atrociously.  She seems to take it the hardest, even though Don has now lost his home, his family, and the job he’s had since this show began.  Meanwhile, Joan’s love connection seems to be going well.

But whatever, I still live for this moment.

But whatever, I still live for this moment.

Peggy had a brilliant storyline as well.  She was charged with casting some kids and Stan notes how uncomfortable she seems around them. A stage mom leaves her little girl at the audition and plays in Peggy’s office while Peggy & Stan work.  The girl promptly staples her finger just in time for her mother to arrive.  Things escalate between Peggy and the mom, and later, as Peggy fumes to Stan further, she ends up telling him of the baby she once had, and how she can’t think about it so she can move on with her life.  Is this like the first person Peggy’s ever told?  Powerful.  She ultimately decides to go to McCann, and tells Stan he can come too.

Pete had a little more air time than he has had recently.  It was quite nice to see Turdy again, and she and Pete were very civil.  I actually liked him in this episode.  He was the one who told Peggy of the upcoming merge, which felt kind coming from Pete.

Finally, shout out to Don’s girl Meredith.  I’ve started loving her in this season 7 part 2.  She’s not very sharp, but listening to her tell Don she would not get him alka selzter was pure joy.

Did you guys like this episode as much as I did?

Midweek Mad Men: The Forecast

This week’s episode gave me the two things I wanted most: Kiernan Shipka as Sally Draper all-grown-up, and more Christina Hendricks as the always amazing Joan.  That’s where my focus is this time around.

As a wearer of big earrings, I appreciate that Joan takes one off to answer the phone.

As a wearer of big earrings, I appreciate that Joan takes one off to answer the phone.

Joan’s storyline starts out in LA, as she basks in the life of a fabulous account executive and partner.  She’s loving her job and things take a romantic turn when she meets a mysterious stranger, Richard.  They enjoy a night together, he speaks of his grown children and his divorce, and asks if she is married.  She says no, but admits to once having been.  She returns to New York.  He flies in to surprise her for dinner, where probing questions sour his interests.  Joan assures him that she is not married, but does have a four-year-old son, Kevin.  This stops the tryst in its tracks later on, as he’s free as a bird and doesn’t want to raise kids anymore.  This leads Joan to yell at her babysitter that she’s ruining her life.  Her sweet son’s voice softens her slightly.

Richard thinks better of himself and brings her flowers.  Joan admits she lives with her mother and has been married twice… and there’s still the kid.  Richard has made a 180 and says he’d like to meet Kevin and her mother.  What I found weird is Joan saying she’d chose him over her son… that doesn’t sound right, or like Joan.  I’m actually a huge Roger/Joan shipper, so although I love seeing Joan happy, I don’t have hopes in this relationship.

Sally Draper has grown to be so smart, and resents the way both her parents act.  Glen, who admittedly has grown up a lot too, visits inciting more odd behavior between him and Betty.  He’s 18 and shipping off to Vietnam.  He makes a move on Betty, who I literally give credit to for stopping it… but only because I have no faith in Betty.  Sally’s reaction to Glen’s enlisting stops her from enjoying a day with him and leaves her in tears on the phone trying to wish him goodbye.  Sally’s going away too, though– 12 states in 12 days.  Don takes her and a few friends out to dinner.  One friend gets flirty with Don, and Sally calls him out on it.  I actually thought Don was better behaved than usual… I guess I don’t have much faith in Don either.

Let’s talk about Don, because it’s kind of his show.  I mean, everyone sort of thinks he’s a mess like his penthouse.  Against all odds, his wine-stained and empty place sells!  It looks like Don is going to have to move on… physically and otherwise.  I don’t want Don to lose his magic.  Maybe a new environment will reinvigorate him.

And before we close, let’s talk about how badass Peggy was saying to Pete, “you can’t fire one of my men!”  You chase that dream of being the first female creative director, Peggy!

What did you guys think of Sunday’s episode?!

Mid-Week Mad Men Moments

Alright guys, how could we not talk about these last few episodes of Mad Men?!  That nostalgia commercial/compilation that AMC plays right before this episode about bowls me over.  Every Wednesday until the end, we’ll discuss the final days of Don Draper on our TVs.  Why Wednesday?  I like the alliteration in “Med-Week Mad Man,” and I’m also pretty lazy.

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I’ve been sick, so I’m going to keep this one brief.  “Severance” was kind of a weird, re-intro episode in that it’s been a year since we’ve seen Don, but we do, nothing’s really changed save for that he now talks about his childhood candidly.  Progress!  What saddens me is that I can’t picture what a happy ending for Don would even look like.  He’s so sad and lonely.

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Who I do want to talk about is these two: Joan and Peggy.  Settling into the new agency post-merger, Joan’s dealing with even more chauvinism than ever before.  Who wanted to smack that guy when he said Joan should work in brassieres?  Poor Joan!  I completely approve of solving your problems with retail therapy, but how long can the always-composed Joan listen to this guy?  Joan has long been my favorite character on this show, so I’m hoping we’ll get lots more of her in these final episodes.

Peggy, on the other hand, it’s taken me a long time to like.  I thought she looked quite lovely here and she even had her fun run-away-to-Paris date, which may or may not go anywhere.  What I hated was Peggy in the elevator lecturing Joan about the way she dresses… pan to Joan in a high-neck top.  Don’t be jealous, Peggy.  Siiigh, Peggy never did fit in with the girls.

 

Okay, hopefully I’ll do better next week but until then: Mad Men thoughts, go!

 

 

Seeing Red

My hair’s been every natural shade from black to strawberry blonde, but I took a roughly six year break from hair dye and accepted my natural color.  A couple weeks ago, I broke my hiatus and went blonde for summer!  If you follow me on instagram, you’ve probably seen my new tresses.  I’m loving being blonde again, but my true desire is to be a redhead.  Here are my hair idols.

Jenny Lewis

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See Fernando music video

My girl Jenny Lewis rocks a very natural shade of red, subtle but still lovely.  She’s my true hair idol, but I’m not prepared to take on bangs.  I think this is likely my future color!  This whole look is actually perfection.

Karen Gillan

image: digitalspy.co.uk

image: digitalspy.co.uk | with the Eleventh Doctor himself

Karen Gillan had gorgeous, long, red hair.  She cut it all off for Marvel’s Guardians of the Galaxy.  Luckily, they made her a wig of her own hair… which she wears for Selfie.  Can I borrow that wig?

Christina Hendricks

London Fog campaign

London Fog campaign

Christina Hendricks as Joan Holloway rocks a vibrant, attention-grabbing red.  This is a red that makes no apologies.  It’s nice to see that Christina Hendricks can rock a coral lip with this hair color.  Very encouraging for me.

Bonus: Gillian Anderson

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The X-Files

She’s blonde now, and I’m pretty sure I can blame my going-blonde again on her.  Back when I first fell in love with Gillian Anderson, she was Dana Scully, and a redhead!  I could definitely transition with this strawberry shade.

So, red’s next!  Maybe for fall.  Who are your hair idols?